A selection of Nadar's range, including photos by brother Adrien and son Paul, divided into four sections. Attribution has always been a challenge, because the Nadar studios were fluid enterprises, often collaborative, usually to Felix's benefit, especially when money and reputation were on the line. Each of the three men took amazing photographs, whether truly alone or with Nadar's oversight. I feel Adrien's approach was the most free and artistic, while Nadar had a more direct and conversational style. Paul benefitted greatly from the advances in technology, many of which he refined, and a more level-headed professional eye towards studio photography. The quality of the surviving photographs varies widely, mostly due to the cruelty of time and the early, crude processes. Many iconic images are actually reprints made by Paul twenty or more years after their creation.